#firstimefriday To Turn On The Light, We Have To Know It’s Dark: American Animals

#firstimefriday To Turn On The Light, We Have To Know It’s Dark: American Animals

Have you ever watched someone you love barrel headlong into a potential life-ruining mistake and been powerless to do anything about it? If you have, you’ll know it’s an excruciating experience. Part of love and leadership and mentoring and training, of course, is allowing people to make mistakes and be there to pick them up afterwards, help them put themselves back together and make sure everything is manageable afterwards. As a parent, and as someone who has spent my whole working life thus far working with people, I spend a lot of time watching people I have varying degrees of responsibility for make mistakes and have to live with the consequences. Often I see the mistakes coming, and I’m a powerless to stop them – even if I’ve tried my best to help them see the potential consequences. It’s a strange, cringing, disempowering experience.

That’s what floated around my mind as I watched 2018’s American Animals, an at once thrilling and cringe-inducing heist-movie and documentary. It tells the true story of some bored young men in Kentucky, some of them college students, who tried to inject excitement in to their lives by attempting to steal some immensely valuable books; as the story is told, the drama is intercut with footage of the real people involved – the young men, parents and a few others, retelling their story, and their tragic, life-ruining mistakes.

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The young men’s arrogance and self-importance seems staggering at times; the film follows some of the classic tropes of a heist movie, so when we see them assigning and arguing over the code names ‘Mr Pink’ and ‘Mr Brown’, and so on, in exactly the same way as Reservoir Dogs, we can only assume it’s a satirical invention of the film-maker. As one of the characters points out, that’s a film that didn’t end well for anyone involved. It’s jaw-dropping to discover, however, that this is no fictionalisation. They really did that; and we wonder that they ever thought they would do this.

The film builds relentlessly to the actual heist; one or two of the characters reflecting on the chances they had to walk away, but never took. But they were bored – so very bored with what they had, with what lay ahead of them and what was expected of them – that they felt this was something they had to do. As one of them says: “I realised I had to make something happen on my own.“; as another says to an authority figure “This whole place [college] and goddamned town is a disappointment.

So with the arrogant naivety of the young, the heist comes along, a lengthy sequence which, along with its aftermath, is as thrilling as it is painful and sometimes absurdly funny to watch. You’re watching people ruin their lives – and that of others – for a thrill, an experience, and there’s nothing we can do to stop them. Have they learned anything by the end? That’s unclear – but they’re certainly regretful.

It’s easy to criticise these young men; and they deserve it, of course. But we need a word of caution to ourselves. How many of us have ever placed expectations on ourselves or others, not allowing the people carrying those expectations to show doubt, fear, weakness or a desire to take a different path? These young men are crushed by the apparent safety and predictability of middle-class suburban niceness and predictability; there seems to be no-one, no parent, no teacher, no coach, no pastor, no friend to whom they can express doubt or a hint of darkness in themselves. No one will hear they want to do or be something or someone else. No one who will listen to their hints of darkness and rob that darkness of its power by confessing ‘Me as well’, before it erupts as it does in to something all together more dangerous.

Wanting to have it all together, to be seen to be becoming or to actually be ‘a success’ (as much for our children as ourselves) can kill people. Maybe it can literally kill them; or maybe just kill the light and life in them until they whither away in to quiet safety, never rocking a boat that may be heading for an iceberg. Churches are rife with it; schools; universities; and especially the crushingly predictable environments of polite white-collar jobs that keep everyone safe but many unsatisfied.

It’s ironic especially to find such crushing safety and hidden darkness in churches and Christ-followers; one of the few qualifications for following Jesus is to admit our helplessness over our own darknesses. Church communities should, then, be places where people know they’re all broken and can talk about our brokenness with one another; even, or especially, the pastor, But so often they’re not, despite a prayer of confession being a regular feature of many worship services, true weakness and darkness is rarely confessed by any  – and then when a pastor or a church member truly crashes or fails, there’s wide-spread shock and precious little grace to welcome back.

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Photo by Vincent Chin on Unsplash

 

On their album reflecting on the ennui and predictability of suburban life (The Suburbs), Arcade Fire sang “I need the darkness/Someone please cut the light.” It’s a plea to shut off the painful predictability of the suburban glow of artificial light, the better to see the stunning natural light of the stars against the night sky. It’s also a cry for something more; there’s darkness in me. Hear it, and own it, before it consumes me. What would have happened to these young men in American Animals if they – or someone around them – had the strength to allow them to voice their darkness and temptations, and rob them of their power? What would happen to you, our churches, to me, to our pastors, if we allowed confessions of weakness and fragility before they overwhelmed us? Are we strong enough to see we’re all jars of clay?

Such questions are almost as hard to ask as they are to answer. Perhaps, however, in voicing them together we will find some the light we need.

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In praise of … last minute perfection

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Think of a task, a discipline, a project which you love and to which you dedicate yourself. It could be a relationship; it could be something artistic; it could be a sporting achievement; it could be a qualification for which you long. It doesn’t matter what it is as long as it’s something to which you regularly give much energy and commitment and in which it is hard to become proficient.

In the realm of professional sport one of the hardest disciplines (if not the hardest) is hitting a baseball. Specifically: hitting a baseball for a home run at major league level. If you take the technical definition of a successful hit then the reality of how hard this is will come home to you. You do not merely need to lay 2.75 inch diameter and 42 inch long bat on 5 ounce, 9 inch circumference  ball at speeds of 90+mph. You need to put the ball you have hit in play, in the wide ‘v’ in front of the hitter. You also need to do so in such a way that you do not get out – caught or beaten by a fielder’s throw to the base to which you are running. A good major league hitter will, over a career, achieve this about a third of the times he takes to the plate. This means that the best fail at what they are paid to do two-thirds of the time. Imagine failing at something you love two out of every three times. You’d have to be strong to cope with that, wouldn’t you? A home run is still harder. You need to connect with the aforementioned ball in such a way that if flies the 300 plus feet to the field’s edge and clears the wall there within the legal zone. A really good major league hitter, over the course of a 162 game season, will hit around 40 or more home runs.

Baseball is America’s game of myths and legends. It’s not the commercially dominant one – that status belongs to (American) football. But it is the one in which a nation continues to find at least a good part of its meaning. It gives rise to notions and phrases which have spread the globe: three strikes and you’re out, curve ball (not curved ball as some of my friends keep saying), touch base, step up to the plate; all of these are phrases which have entered parts of the global cultural lexicon with ubiquity. A home run or hitting it out of the park are concepts we can grasp – it’s something monumentally successful which is very hard to achieve. To do so in the context of major league baseball takes athletic power, almost supernatural levels of hand-eye co-ordination, a cool head under pressure in order to know when to go for it and when to refrain, and an elusive dash of luck.

I’ve always liked American sports. I have little time for the lazy ignorance which assumes that the stop-start and heavy padding of football means it’s not physically intense. As the ex-England rugby captain who trained with a football team will tell you, it’s the most physically intense sport there is. Including rugby. With an extra serving of the strategy and tactics of chess reinvented as a blood sport. As for those who dismiss baseball as rounders … well, by now you should have got the point.

So as we do when we visit my sister near San Francisco, we recently managed to see our baseball team – the Giants – live. Last Friday was my fourth live baseball game, each time seeing the Giants. I’d never seen a home run, and was of course longing for one. What we got was a special night. My wife and I, my sister and her husband, two of their three kids and my sister’s friend were off to see the San Francisco Giants. This is a successful team, winning two of the last three World Series; success can breed passionate fans and sell out crowds. We had tickets for a game with the Giants’ bitter rivals, the Los Angles Dodgers. Over the long season they play each other 15-20 times, and each one is broiling mass of emotion and passion. A sell-out 41,000 crowd on an early season, early summer San Francisco evening saw a low-scoring game defined for the most part by the Giants hanging on in on a game from which they should have been dismissed.

Hang in there they did. Low scoring in baseball usually implies two good teams and a bucket-full of tension; it was that, though in truth the first portion of the game was characterised by Giants errors from which the Dodgers should have made more capital. Good teams hang in there, though; so we entered the 9th and final inning with the scores level at 1-1. If a winner didn’t emerge, which seemed unlikely, we’d head for the potentially endless torment of sudden-death extra innings. The Dodgers, batting first, failed to score, stymied by Sergio Romo, the Giants’ electrifying close-out pitcher (meaning he specialises in finishing games – the pitcher who starts a game will never finish one; it’s just too long). Up came the Giants’ hitting line-up, to this point this evening stutteringly ineffective. With extra inning beckoning, Buster Posey came to the plate for the Giants. One pitch, one perfect connection. 41,000 stand watching the white ball describe a high but fading arc against the night sky. Go on. Go on. Go on. The arc dying over deep left field, it seems to gain a new lease of life. On it goes, over the fielder, somehow over the wall.

Home run. Game over, home team victory over bitter rivals in the bag. 41,000 (minus a few Dodgers fans) erupt in a spasm of joy. Posey jogs round, dives into his team mates at home plate.

I have now seen a home run. One game out of a 162 game season, more if the Giants make the play-offs as expected. Pause for a moment and think, though: what is going on in that moment of last-minute perfection?

It’s easy to criticise sport, especially if you seek to follow Jesus. Sport can obsess; it can and does become an idol, elevating money and celebrity at the expense of the ordinary and every day. To see only that misses the point. In a moment of near-perfection achieved, of a game irrefutably won, we in the stadium and watching or listening elsewhere are purely and simply caught up in the moment. Now to live purely for the present is another trap we Jesus-followers must avoid; we are called to see behind and beyond, to think and act with our eyes on eternity. But to do so, crucially, in a way which leads us to be present to the moment we are in. Giving it our full attention and focus; weeping or laughing or thinking or stopping or whatever is required to be done as fully as possible, then moving on. Not living in it, but fuelled by it, seeking to point ourselves and others to the eternally bigger reality of which this present moment pulls back the curtain. It is, to use the words Jesus spoke, ‘not worrying about tomorrow for tomorrow will worry about itself...’.

Playing and following sport, if done well, allows us to consider the lily of the moment in front of us, to maximise it, to drink fully from it, to relish it and move on. For the Dodgers fans, it allows the same – in sport as in the rest of life, for those on the mountain top are relatively few. Most of us are down in the valley somewhere. For me, and for others that Friday night, we had a mountain-top moment of perfection, joy, euphoria, hope fulfilled. Most of my life I am not there. That much is true for most of us most of the time. Sport, when seen with the eyes of eternity, can help light and elevate the soul with moments of prowess and beauty and achievement; aware that most of the time we are reaching and grasping for it, falling short in the two-thirds majority moments of failing even at that to which we are most devoted.

So, consider the lilies: the cricket, the soccer, the rugby, the ball-game, the coffee, the painting, the child, the lesson-plan. For even in the two-thirds moments of apparent imperfection you will, if you stay present enough, see eternity’s curtain pulled back just a touch; enough to give you fuel for the journey onwards, upwards, downwards, on the level. Whatever the elevation, it’s still forward.

Scroll down for some of my wife’s brilliant photos of the night, and down further still for a link to her full collection of photos of the game.

If you’re not yet convinced by the romance and beauty of baseball, or just fancy a good watch, then I strongly recommend two wonderful films (which will I promise make sense to the newcomer). First and most importantly, the beautiful and beguiling Field Of Dreams. Then the more recent, more factual but no more real, Moneyball.

To see the decisive home run from this game go here (this link may not work outside the USA)

Also in this series: In praise of … counter-cultural sport

To see more of Bev’s photos of the evening click here.

In praise of … counter-cultural sport

Well that’s a ridiculous title. Is there a field of endeavour less counter-cultural than sport? By its very definition it habitually elevates to ridiculous levels of acclaim and fame the young, the physically disproportionately able and the (often) atypically beautiful. Elevating the cult of personality; a seemingly endless lust for more attention, more money, more everything; ultimately utterly pointless in the eternal scheme of things yet to so many taking on an unnatural level of importance. Counter-cultural?

Yes, it can be and often is. It may be in the burgeoning and increasingly respected paralympic movement; it may be the sports club run by volunteers in inner-cities; it may be the romantic stories of winning against the odds. Sometimes, often, sport is and can be beautiful and life-enhancing.

For now, let me talk about test match cricket in that context. Strip cricket down to bare essentials and it is a ridiculous sport. All sports are ridiculous in essence; but cricket is so absurdly contrived, so littered with a history of English colonialism, so often rooted in class privilege, as to stand out as especially absurd. It’s suffered recently and has adapted in response. Dwindling audiences for domestic cricket around the world; the one-day 50 over format suffering; the seeming ubiquity of the instant thrills of Twenty20 versions of the game bringing in attention, coverage, money and even glamour to a game sometimes seemingly teetering on the brink of irrelevance.

Yet ultimately the highest level of the sport – international test match cricket – remains gloriously, essentially counter-cultural. A test match is the name given to an international cricket match played between two teams over 5 days. If the game runs to full-length with no weather interruptions, that’s 30 hours of sport. 30 hours. There are only 9 teams playing it globally at the top-level. They won’t just play one test match – they will play a series of occasionally two, often three, sometimes 4 and between certain opponents 5, matches. That’s a long time. Often a winner will emerge. Sometimes it won’t, and therein lies the format’s counter-cultural beauty.

As I write, a three-match series has just concluded in New Zealand. It should have been straightforward. An eighth-placed New Zealand team in turmoil hosted the number-two England team. England were widely expected to romp to victory, weather permitting by an overall score of 3-0. In the first match weather saved England from losing a match New Zealand deserved to win; the result was a draw. In the second match weather prevented England from completing a victory they had just about earned; again, a draw. In this third match, New Zealand totally dominated for 4 days. On the fifth, New Zealand threw everything at England. One English player stayed on a score of zero for well over an hour. By all rights New Zealand should have won. Somehow, miraculously, England clung on – for a draw – in a match in which they were indisputably inferior. Thus at the end of a 3 match series, 15 days, a possible 150 hours of sport, the score was 0-0. Yet it was breathtaking, nerve-shredding, emotion-draining, gripping. A five match series  – such as is played out between England and Australia known as The Ashes – is all those things, multiplied exponentially. 0-0 after 150 hours Ridiculous. Yet in an age of the instant answer, when some church cultures promise solution and resolution, when politicians think of short-term vote-winners, this tells us something vital about not always getting what we want or even deserve and yet how that is somehow more right than getting what you think you should get.

Ahh the Ashes. I’ve been to a lot of live sport – world cup football, my beloved Arsenal football club, the Olympics, American Football, golf, rugby … so much I have been privileged to see. The Ashes – especially live – is unlike everything for suffocating tension and intensity. Years of colonialism, years of history, of tactics developed to achieve the ‘mental disintegration’ of the opponent; of other tactics to physically damage the opponent; all that and more erupts into a five-match series which captivates and entrances two nations and international fans. For England and for many others this reached a peak in the English summer of 2005 which became the most intense, tightly fought, but also fairly contested, sporting occasion most of us have ever or will ever see. Click that last link for an article hinting at that summer’s excruciating beauty.

But none of this still quite does justice. I could talk about the rich tradition of cricket writing which this post can’t touch; I could talk about the high levels of depression and suicide amongst professional cricketers; I could talk about broadcasters who can fill hours of air-time during rain delays with riveting, infuriating, moving discussions. In the end, for all these truths, its deeply personal. I love sport. I watch a lot of it, lots of different sports, and get passionate about it. It means much to me; sometimes too much. My football club Arsenal is mine, for better or worse. It’s part of me and my family. But put a gun to my head and give me only one sport, and it would have to be test match cricket. When I grew up in a sports-loving house, cricket was on network television and football wasn’t. So cricket was the sound of our summers, on television and radio during long car journeys. It was in trips to London grounds on summer-holidays. I was soaked, earthed, bought up with cricket in the blood and bones of my being as deeply as my own DNA. I can’t forget it, can’t get rid of it.

In my memory. when a Test match would start, something would happen. Traditionally in England that was a Thursday at 11 a.m., though sometimes that now changes. What would happen, in my mind anyway, was that my Mum would make some good coffee, and we’d sit down, sip our coffee and eat some shortbread. And the day would drift on, the summer would burble by with the cricket ever-present. I’m just old enough to remember an absurdly improbable series known as Botham’s Ashes in 1981, which cemented cricketing heroes, myths and legends in my eight-year old psyche.

That’s what it is for me. So when I’m having a bad day, something cricket related will do something to and for me. The languid, slow, intense rhythms of the game can be a strange agent of healing in my head in ways I can’t explain. It worms into my psyche and does something. If a test match, especially an England one, is starting and I’m able to watch, I will make coffee and grab a biscuit (ideally shortbread), and I’ll be connected to my family even though my Mum has died and I’m physically absent from the rest.

I, we, will always need the strange and alien beast that is test cricket. It takes time to learn to love it. Like all time spent, it profoundly, endlessly repays you.