God In The Slow Lane

It’s often said that the urgent can drive out the important. From responding to emails to health issues and much in between, there’s evidence to suggest this is true. Our attention is automatically – and often necessarily  – diverted to that which is most pressing. If your house is on fire at the moment when you’d set aside time to work on your tax returns which are due in a month’s time, then you’d be a fool to do anything other than deal with the urgent, important as tax returns are.

How do we discern which is which? Rarely are faced with such a binary or obvious choice. The minister by whom I was trained told me many things which have lodged in mind: one of them was the importance of discerning the difference between a good idea and a God idea. It might be – for example – a good idea to introduce a church service led by the youth to the programme of services; but is it the right idea at the right time? Are the youth ready? Is the rest of the church ready? That’s the leadership decision; Victor Hugo is paraphrased as writing that no-can resist an idea whose time has come. There’s truth in that.

What makes this leadership decision so difficult much of the time is that people have very different ideas of what’s urgent and what’s important. I’m always hesitant to blame the still-new tool of social media, but certainly Facebook and the like can amplify this tendency – the louder you shout or the more dramatic the news or the tighter the deadline, then the more likely you are to get heard. And there does seem to be an awful lot of shouting. The ticking time-bombs of climate-change, American mid-term elections, Brexit and the like all scream for attention. Not to mention the varied issues that are – or appear to be – related to these and other situations; the gap between rich and poor in various countries, volatile economies, diplomatic relations strained to near breaking point, racial tensions, the rise of political extremism. It seems that something must be done on each of these, now.

We bring this to church, too. Can you give me 5 ways to improve my prayer-life? What’s the best way to read the Bible? Can we have a course to improve marriage/parenting/surviving as a single person? The need screams importance and urgency; set up a solution, now.

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The problem is that God seems to work to altogether different timetables. The God who defends the poor and is concerned for justice and liberation seems to wait most of Moses’s long life-time before finally sending him to lead them to freedom … which in the end turned out to be 40 years of wondering apparently aimlessly in the wilderness. Jesus waited for 30 years of presumably normal education and manual labour before doing much that was worth recoding for future posterity. As the letter-writer says in 2 Peter 3: ” With the Lord a day is like a thousand years, and a thousand years are like a day. The Lord is not slow in keeping his promise, as some understand slowness. He is patient with you, not wanting anyone to perish, but everyone to come to repentance.” That’s to say – God is not so much concerned with any one thing we do or don’t do as He is the state of our souls, our relationship to Him. He’s prepared to give us a lot of time.

All this is somewhat fraught with problems. It may seem quite easy for me to say that God is patient and is biding his time for my eternal sake; but unlike some who live in this city, my house didn’t just burn down leaving me homeless and shorn of resources. The mid-term elections have a date on them, as does Brexit. If I were to receive a terminal diagnosis tomorrow (there’s no likelihood that I will), then every day would suddenly take on new weight. We’ve become so accustomed to having much of what we want or need on demand that we expect the same of the spiritual life and the faith communities we are part of or lead. Added to that, one of the perpetual burdens of leadership is to be able to see with clarity the gap between where an organisation is and where it could or should be. This gap between our time-bound urgency and God’s slowness seems to be a recipe for human frustration and angst.

What to do, then? I’ve never understood prayer, and am rather suspicious of anyone who claims to do so. I am aware, however, that when I am able to pray, two things happen – often simultaneously – something changes in the situation or person I’m praying for, and something changes in me. So I should pray, then. That’s all well and good, but in this period of my life – children, not great health, full-time job and the like, I don’t have much time. I pray a version of the daily office some days; I fire off prayers at some points in the day if something prompts me so to do. But it’s hard to turn attention to God when there’s so much that is, dare I say it, both urgent and important. Like many parents, I’m tired. I go to bed tired, and I wake tired. Prayer is hard when you’re tired.

God is working in my life very slowly at the moment. I’ve only recently realised the truth of something that happened to me around 25 years ago. Why didn’t God help me do it earlier, and save us all a lot of time? I don’t know. Things in church happen slowly; of course, we’ve never really arrived, we’re always changing and adjusting and growing – but it strikes me that in one particular area of my church’s life we’re only now beginning to reach a place I first dreamed of about 8 years ago. For so many people – including myself and my own relationships – I can see where we or they could be, but we all seem to take an inordinately long time to get there.

I read this week that in Paul’s great hymn to love, 1 Corinthians 13, the first definition given of love is patience; or as older translations have it, long-suffering. God seems to love me, you, us so much that he’s willing to suffer long for us to get to where he needs us to get to. He won’t rush us because to rush us would go against his innate love for us. He loves us more than our deeds, more than our urgent actions or calls to action, more than any one thing we can make happen. He wants us to work for him – but he wants that to come not as duty or forced obedience, but as loving response to his long-suffering on our behalf.

There is much we come up against that might be fixed by urgent labour or donation of money or the like. Sometimes that will need to happen; but more often, perhaps, we will find ourselves called to what Eugene Peterson termed the ‘long obedience in the same direction’; the long-suffering with ourselves and others, as God does with us. There’s no 12 week course to fix injustice; there’s no quick fix for my prayer-life; there’s no easy route to better relationships. Love is patient, long-suffering – requiring us to exercise the kindness and the benefit of the doubt to ourselves and others that God is so willing to exercise to all of us. That doesn’t allow us to be lazy, or to make excuses for damaging or violating patterns of behaviour; but it does mean that we are to find within us that part of ourselves that bears the stamp of the long-suffering creator, to let His patience call out our own with ourselves and others.

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Saving And Harming; Is A Star Is Born A Film About Abuse?

There’s a theory often quoted that when it comes to plots of stories there are only seven (some people come up with a different, but similar, number). Every story ever told falls into one of the seven templates, maybe with subtle differences to others versions – but recognisable all the same. Originality has not always been seen as a virtue; much of what Shakespeare wrote was predictable in terms of the template of the stories; what was unique about his plays was the beauty of the language and the way he extracted profound and universal themes from old material.

Even so, it’s rare that unoriginality is so clearly signalled as it is in A Star Is Born, directed by and starring Bradley Cooper and co-starring Lady Gaga. This story has been made into a film four times under this title (including this one); I haven’t seen any of them until now, but it was no less predictable for that. It’s a story that has been told and retold in countless versions with different titles and variation over the years. That’s not to criticise it; simply to say that if you’ve seen a few films, there won’t be many surprises here – although the gasp from the row of young adults behind me at one major development which I saw coming before I’d even seen the film, indicated that something is always new to someone. Bradley Cooper is an ageing rock star whose career has passed its peak; he meets part-time singer Lady Gaga in a club where she’s performing. He takes her under his wing as lover and protegé; the rest … well either you can guess it, or you’re like one of those young adults.

The film has much to recommend it. Bradley Cooper’s direction is deft, telling the story engagingly and compellingly. His own performance is excellent; and he’s clearly a more than able musician, able to convince as a genuine rock star. Wherever you stand on Lady Gaga, you can’t deny the power of her voice – and she shows it off here to its full capacity. Hearing her sing on a big screen with a big sound system is a treat indeed – hers is a voice to truly stop the listener in his tracks. She can act too – her gradual ascent is believable, her nervousness and discomfort palpable. She’s a proper star; one of those people who I suspect, rather annyoingly, can put her mind to most things successfully. To make it even worse she’s probably a nice person to boot.

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There’s a big question hanging over it all, that I can’t find a satisfying answer to. It hinges on this: is the film portraying something and critiquing it, or is it indulging it? The ‘it’ here is the endemically patriarchal music industry, expressed through the abuse, control and manipulation of a young woman by powerful men. There are moments throughout the film where Ally (Lady Gaga) appears to have a choice, but in reality doesn’t; Bradley Cooper’s character – who has had her privately flown backstage to his gig – introduces one of her songs to the crowd and invites her out. She’s free to decline, of course … but who could possibly do that? Quickly she becomes essential to his fading glory; and as her star ascends and her career takes off, his jealousy and incapability of coping without her is writ large. He slips into bouts of substance abuse and depression; she keeps boomeranging  back. In one disturbing moment, he ends an angry, drunk tirade at Ally (vulnerable, naked, in the bath) by calling her ugly (amongst much else). She stands up to him, for a time. All the time, her (male) manager makes choices for her and controls her career; some of which she eschews anyway (and gets an angry response, of course), some of them she submits to. Her music is changed; from piano or guitar led (she reminded me almost of Tori Amos in the beginning) to making the sort of music that (almost all) white, male critics deem insubstantial and empty; dance-pop, appealing to girls and young women.

Of course, it’s all about Bradley Cooper’s character’s redemption; she brings meaning to him; she reawakens his songwriting gift. From the end of the film, it’s clear that her career will for ever be defined by the man who spotted her and married her.

I’ve no doubt the music industry is deeply patriarchal and abusive towards women; the question for this film to answer is if it is giving us an honest portrayal to interrogate and critique; or is the film sinking into the same morass it shows us on screen? As #metoo has shown us, the movie industry is no different to any other in the way powerful men abuse, manipulate and control women – especially women at the start of their careers.

Lady Gaga’s Ally wouldn’t have a career without men; and we leave her at the film’s end still in a man’s shadow. She has bought him a measure of redemption – but that’s the point, I think. Her career is about him; it’s for him, heals him, remakes him. She seems to be doing her masters’ bidding all this time.

I left having enjoyed the film, been gripped and moved by it. It left me deeply troubled also. I am only now in the process of identifying and understanding my own abuse twenty-five years ago; I felt reminded of my own past that I can’t yet name fully. Not in a good way, but in a way that seemed to excuse the abuse because of what happened in Ally’s career. I wonder what a woman currently in an abusive relationship might make of this.

I’m sure Bradley Cooper never intended this; therein, though, is the point. We’re so inured to the trope of the (young) woman being ‘saved’ by an older man, who takes advantage of her in such a way as she can never leave, that we expect it to be like this. We’ve forgotten how to tell this story differently, where the young woman has vibrancy and agency that doesn’t depend on a man calling it out of her and keeping her at his beck and call, healing him even as he wounds her. It’s an old story, that for all its pleasures deserves a better, newer telling than this if the wounds of many are to receive some measure of healing.

Glimpses Of The St Peter’s Story: Learning To Be Diverse

Desmond Tutu – The Arch(bishop) as he’s affectionately known – was, I think, the person who introduced the idea of South Africa as The Rainbow Nation; a multicoloured country of different cultures, where new ideas are allowed to compete in the market-place along with established thinking. Where different cultures are allowed to flourish and express themselves on an equal footing. This is an attractive and inspiring idea – not least here, in a country where one people group ruled all the others so oppressively and for so long. It’s a concept that many embraced – and it was used explicitly and implicitly to market the country abroad. You can see the idea – if not the words themselves – behind much of the country’s apparent self-image, in advertising and various cultural expressions.

But it’s hard work; so hard, that some have given up. I’ve heard The Arch say that he believes the dream of the Rainbow Nation is dead; every gain requires some loss, and that seems to be too painful for some to persist.  How do we respond to that in Mowbray, a diverse (economically and racially) area of Cape Town? In former days Mowbray was an area which experienced the forced removals of apartheid law, and the incoming of white people, Some members of this church can still remember waiting with toys in hand for the trucks to come and take them to their new ‘home’ … which even on the day of removal they didn’t know the location of. Things have changed now; Mowbray truly is diverse. But how does the church embrace that?

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Diversity can sound like a vague idea, redolent of the sort of forced ideals which enrage some extreme cultural conservatives. However, if the church is called to be a local expression of the Gospel (to simplify what one of my theological heroes, Lesslie Newbigin, said) then we have to take that seriously. If we’re try to give people a (fallen) foretaste of the New Creation where people of all nations will be worshipping and working and resting with each other at Jesus’ feet, then a church in area like ours needs to seek to be like that.

We’re not a big church, but we do have people from a number of different cultural backgrounds who call this church their spiritual home. We’ve been introducing songs and hymns in some of the different languages represented; for some who were forced as children to learn at school in a language that wasn’t their mother tongue, this has been deeply significant, and at times overwhelmingly emotional. We have a diversity of styles of music (sometimes led by the organ, sometimes the guitar and sometimes the keyboard). We try to make sure people who aren’t white men (like me) are involved in leadership positions at different points. It’s hard for people to unlearn the practice of years of sitting at the back of church because that where they felt they had to sit in years past – even when we rope off the back pews; conversely, white people are having to learn to give up (or at least share) their pews at the front.

It’s not easy, though. Because we’re not a big church, there’s only (for example) a few people musical enough to play in services; there’s only so much diversity we can express with a community of this size. The pool is numerically limited, and we want people to be expressing their gifts in a way that gives them joy – not forced into an ill-fitting yolk whuch will burden them. I read and hear people saying that if we don’t have X% of people who aren’t white males in positions of influence, then we’re failing. I agree with the agenda, but not with that way of expressing it; it fails to account for the factor that we, like every other church, are constantly in a process. We haven’t arrived, and may never do so; church’s are organic beings which need a gentle hand on the tiller; they’re not machines where you can simply replace parts with other ones. People need to be loved into change, not driven. Our vision statement seeks to express this sense of not arriving: “We believe Jesus is good news for this city, so we want to be a community where people experience Jesus, embracing the full diversity of Mowbray and beyond”. (Note: we want to be – not are).

We’ve struggled, for instance, to get people who aren’t white males to preach in Sunday services; there are things I could have done better to speed this along, I’m sure. But we also need to wait (and much of ministry and church life and all of life is waiting for God to do things in the time He wants) for the right people to find their home amongst us – and then to have the courage to accept invitations when they are extended.

We are seeking. Seeking a lot of different things, or rather seeking to be many different things. There are things we could do better; there’s also much we’re waiting for.

Seek and you shall find, says Jesus.

Anger Is An Energy: Responding To Paul Greengrass’s 22 July

Anger is an energy sang PIL, and so the punk movement took flight. Behind the now cliché of a colourful mohican was a frantic energy to destroy the status-quo of the elites running culture and politics. This was a music that left everything out on stage – except, perhaps, the instruments themselves which were often thrashed past the point of breakage when the gig has reached its climax. A few bands still do this even now; it’s seen to be a signifier of having given so much to the performance that there’s nowhere left to go, a symbol of the destruction of the established order. It’s also quite good fun to watch. Like most musical genres, once punk muscled its way into deeper public consciousness it seemed to have less energy, and to be a bit tired. That’s not entirely fair, but the hardcore punk fans see neo-punk acts who remain commercially successful as bands who have sold out – many true punks look disdainfully on bands like Green Day and their fans as having somehow failed by virtue of their success. The baton of truth is held, it’s said, by bands most of us would never have heard of; in punk, and in other genres that once betokened rebellion but now command widespread attention – RnB, hip-hop, rap. And so on.

Anger isn’t wrong; it just seems to be something that can easily tip us over into wrong. One New Testament letter writer doesn’t say ‘Your anger is a sin’; it says, instead ‘In your anger, do not sin’. Anger is an energy, which left unchecked can lead us to dangerously lose control; which is why the same letter-writer also recommends that if  we find ourselves angry with someone we love, to sort it out before bedtime.

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The truth is that there seems to be an awful lot of anger around at the moment. American conservatives are angry that under Obama their America was lost. American liberals are angry at the Conservatives for spreading hate and intolerance. Progressive Christians are angry at conservative ones for supporting Trump; conservative ones are angry with progressive ones for not doing so and for accusing them of selling out the gospel. Women are angry at men for the patriarchy and the abuse and the harassment; some men are angry at women for finding a voice, other men are angry at the rest of the men for speaking up or not speaking up. Brexit supporters are angry with Remainers for demanding a new vote and with their government for selling out the referendum; Remainers are angry with Brexiteers for being Brexiteers and with their government for an indecisive process. Here in South Africa … well, it feels to me as if everyone is angry with one group or another. Apply to your own country or context several times over.

Social media is often blamed for this; and it’s true that never having to see the person you’re typing at makes it easier to get angry and nasty; or at least not having to see them in that moment … a bit like over-spending on the credit-card because it doesn’t feel like real money. If anger is an energy, it’s often a destructive one, whether it’s musical instruments, people or political unity.

Anger was destructive on 22 July, when right-wing terrorist Anders Behring Breivik murdered 77 young people attending a Labour Party Youth Camp on Utøya Island outside of Oslo after detonating a car bomb in the city. Paul Greengrass’s new film, titled 22 July tells this story. With his background in television journalism, British director Greengrass is attracted to stories like this; most powerfully in United 93 which told the story of the plane hijacked on 9/11/01 that never made it to its intended target. That he managed to tell that story without nationalistic fervour, hatred or voyeurism is one of the great cinematic achievements this century. A similar eye is there in his more action centred films – the Bourne movies (3 of which are his) may be fictional thrillers, but they are ones that seem to live in a nearly-real, believable world. If a film had to be made about Utøya Island (and as someone who knows what it’s like to lose someone to terrorist atrocities, I think that’s an open question) Paul Greengrass is the man to do it. He does so with a cinema release, but primarily on Netflix, to get what he sees as an important story into the medium most likely to reach younger people.

It’s a film with clear segments. The first 30 minutes or so portray the massacre itself – the families of victims asked him to neither sanitise nor exploit it, and he achieves that. It’s a devastating half-hour, shot in the eerie half-light of Scandinavian summer; deaths and injuries are real, but not lingered on. Its cinematography is a mixture of his trademark shaken, handheld cameras which deliberately jar with some powerful longer shots; one, of a group of teenagers huddled fearfully halfway down a cliff face, is especially memorable and moving. From there the film follows two paths – the recovery of one teenager badly injured, and the arrest and eventual trial of Brevik. Throughout nothing is soft-soaped, but neither is it milked; the teenager’s recovery is hard to watch (beyond a couple of scenes which feel a little contrived or clichéd; though I’m aware we can’t know the details of his recovery process). Brevik (brilliantly portrayed) is neither mad nor cartoonishly evil; he’s coldly rational, angry and aware. The moment we all know is coming – when he walks in to court and gives a long Nazi salute – is no less upsetting for it being predictable. That’s all in the brilliance of the direction and the performance.

None of these people are the central character, though. That’s Norway itself; the country Brevik insists is on trial. Greengrass said in his brilliant and eloquent interview with the BBC’s Simon Mayo (Simon Mayo interviews Paul Greengrass) that he wanted to tell the story of how Norway wrestled with the issue of whether to let Brevik tell the court his reasons; should we listen to his anger, or should they deny him the oxygen of publicity? Is it ever right to listen to the people who do these things? Norway decided it was; and the result, Greengrass claims, is that anger is is dissipated. In that interview Greengrass cites the ongoing divisions over Brexit, the rise of the far-right in diverse countries and the political cauldron of the USA as contexts where a similar exercise in listening might be fruitful or even healing.

It sounds true and wise, and probably is. I’ve tried hard to listen over recent years, as best as I am able to practically, given my circumstances. But the thing is, I’m getting sick of it. I’m getting sick of being shouted at – metaphorically in text or in reality through someone’s voice. I’m sick of being told or thinking I might be intolerant on the one hand or racist on the other; of being theologically liberal or conservative or progressive; of being a toxic male or a weak one; of being a parent who’s too strict or too permissive. And so it goes on. If listening really does dissipate anger’s energy, or allow the wrongness of the ideas that drive it to be seen for all it is, then I’ve yet to really experience it. Maybe dealing with it once in Norway just caused it move and take root more deeply elsewhere, like some sick version of Whack-A-Mole.

What do we do with our anger, mine and yours? Unexpressed anger is a breeding ground for all sorts of darkness, of which others or the angry one themselves may both bear the brunt. There are plenty of places in the Bible, for example, where anger and lament is given a voice; but this is rare in our public worship. Saying or singing the psalms doesn’t seem to be something that works in many settings now – so maybe we need new expressions of these texts, or songs and hymns that give voice to very contemporary laments. Still, though, many Christians seems to feel that anger is inherently sinful, and that its very expression or acknowledgement will let the genie out of the bottle. What about the rest of us, though; the increasing majority who are ‘spiritual, but not religious’; atheist or agnostic? What are their options? How do we listen well, and express anger well without the cancer spreading or worsening? How do we find the strength to keep listening when we’re sick of it?

I don’t know.

When Ministry Is An Idol

When Ministry Is An Idol

It’s easy to care too much. Time was when an Arsenal result would affect my mood for a few days; my then girlfriend (now wife) would put her hand on my chest during a match and she’d be seriously worried about the speed of the heartbeat she felt. The truth is, supporting Arsenal is an important part of my identity; it was handed down at an early age from my mother. I have one of those romantic first memories of live football at Arsenal with my mother’s father that Nick Hornby would be proud of (1-1 with Watford, Charlie Nicholas missed a penalty but scored off the rebound, since you ask). It had become too important, though. So over time I learned (mostly) to put Arsenal in its right place in my life – something that’s important to me, that I enjoy and care about … but not a long-term mood-altering drug, like it had been.
Of course, one of the things about a mood-altering drug is that once we grow accustomed to life under its spell we can start to fear who we are without it. It becomes a way of protecting ourselves not only from the world, but from ourselves. One of the keys to healing the addictions we all live with is to allow ourselves to be OK with who we are  – and to allow ourselves to be worked on by ourselves and others (and God) in a loving way that affirms us yet calls us on. At its heart, addiction to anything is about idolatry. We are dependent on something (or someone) flawed, that damages us in some way – rather than the God who works for our good in all things. Idolatry is putting something else where God should be in our lives.

When it comes to preaching on idols or idolatry, I sometimes ask the congregation to suggest idols that they think are issues in society today. The responses are usually reasonably predictable: money, sex, sport. Those are the things we good church people can often think of as idols. That’s not wrong – there are people for whom these things have assumed the wrong place in their lives. But I’ll be honest; I’ve yet to meet a Christian in the broadly evangelical church for whom sex is an idol; perhaps sexual purity, but that’s the subject of another post. I sometimes try and prod the conversation: what about family? marriage? church? Could they be idols?

What about me, then? Now I’ve got Arsenal more or less in its place (most of the time), what are my idols? For me  – and I think for many of us in what is loosely, and rather self-importantly titled ‘full time (paid) ministry’ – I think it’s that last word. This doesn’t happen as an instantaneous decision; it’s not as if we make a model of our ministry out of melted down gold; it’s more subtle than that. As I’ve touched on before, evidence of ministry’s idolatrous place in our lives may be slipping out in the form of our over-the-top reaction to criticism or our extreme defensiveness or obsessive controlling. The ministry could be anything, really: (ordained) church leadership, youth work, speaking for justice, writing, preaching, church music (of any era) … The list could go on for a long time. We fall prey to the heresy that God needs us, that our ministry is in some way essential to Him; when in fact it’s a gift of grace which He longs for us to have as part of life in all its fulness, part of our grateful worship back to Him.
Defensiveness is a tricky part of this. I know what it’s like to be publicly accused of something that has no basis in fact. It’s hard to defend the accusation whilst not thinking ‘God needs me here, so I’d best defend this with everything I’ve got’. God doesn’t need me; He wants me. It’s hard to accept the reality that God knows what’s real when people are spreading (and worse, believing) untruths about you. If I react well in those situations, then I’ll confront what’s wrong and do what I need to do to deal with the situation – but I’ll be doing so in such a way that I’m not pretending God’s life depends on it. The Gospel has been around long enough, and God has coped with enough false accusations (against Jesus, for starters), to prove that in the long term His mission of love for the world will not be deflected if a few people believe the wrong thing about me.
How do I know the difference? The truth is that I often won’t; and that our motives and deeds are rarely so easily defined as all-good or all-bad. For me, part of it relates to words spoken over me – words meant with love. When I was waiting to hear if I’d been recommended for ordination in the Church of England my mother (for whom it was a dream to have a son ordained – because she never was ordained herself) said to me ‘I don’t know what you’ll do with yourself if you don’t get accepted’. That was over 20 years ago, and still it haunts me long after my mother’s death. My therapist and I have revisited it more than a few times. In darker moments, I still ask myself: if I lose all this, if it gets taken away from me because of the action of another or my deteriorating health … what will I do? What am I any good for? Then the defensiveness comes; then my God-given calling to ordained ministry has slipped into the place God should assume in my life. I’m holding on to my Isaac, rather than than the one who feely gave me Isaac in the first place.
God, this is a hard one. Another layer of the ‘God doesn’t need me, but He does want me’ dilemma. He can cope without me and you, but chooses not to. He doesn’t define me or you by our ministries or our gifts or our callings or our families or our relationships or our writings or our talks or our worship sets or organ voluntaries or coffee-making or speaking up for those who have no voice or financial responsibility or giving or … All of these matter; all of them we are invited to; commanded to do, perhaps (though maybe it’s less of a command than we often like to make it sound). God defines me and you first, and only, by our status as His children. The rest of it comes from that  – and leads us, and in God’s grace others, back to that basic truth. We are children of a perfect father. If our ministries were for some reason taken from us overnight, God would still be our Father and Mother, perfect in all His ways and endless in Her love.
A fresh realisation of this for me came with our fostering (and planned adoption) of the children who have now been in our care for more than two and a half years. We started fostering, and planned to adopt, not because we need to have children; we didn’t. We simply felt it was what God was inviting us to. I didn’t need children in my life. But I find now that I do want them there; I rejoice in them, I thank God for them, they drive me to prayer and worship like little else I have ever encountered. It would be easy for them to become idols. I am invited to remember that as we have done for them, at some cost, God has done for me at immeasurable cost so that I could be adopted by Him. When that understanding is in its right place, all else flows as it should.

When Darkness Seems My Closest Friend: Reflections On Life And Ministry With Depression

Testimonies can be powerful, which is why they are something of a Christian ‘thing’. Especially amongst we who call ourselves (charismatic) evangelicals. You know the sort of thing – in a worship service or conference, a person will tell his or her story about dramatic change in their their life, attributed to God in some way. These are true and genuine – be they physical healing, emotional healing, general life change as a result of an encounter with God, or the like. There’s good reason to find these helpful – they remind us that God is living and active and able to actually do stuff here and now; that prayers get answered and change is possible. There is a caveat; like a diet that entirely consists of steak (only for example, nothing against steak), it’s good for a few meals, but if that’s all we eat we’re going to get into trouble. I mean to say this: that if the only stories we tell are stories of total transformation, healing, overcoming and victory then we’re only telling part of the truth. I’m not suggesting for a minute that these testimonies are untrue; it’s just that they’re not the whole truth.

This applies in any area of ministry and life in general; healing ministry, social justice, finances. It could be anything. We need to tell other stories alongside the stories of victory and change. As is often the case, a self-confessed addict can be helpful here; he will speak of himself (if he’s wise) as ‘a recovering addict’, not ‘a recovered one’. Healing and freedom for the recovering addict is a daily, ongoing, repeated journey. We all need to tell stories like this – of the processes and journeys, the struggles and failures and repeat visits in our lives. I come to this as a minister and church leader; there is a pressure and expectation to be strong; to be healed and from my own healing to heal others. Don’t have needs, I’m subtly told – or if I do, don’t express them. It’s been fed back to me on previous occasions that I must never respond to a congregant who asks the ‘How are you?’ question with anything less positive than ‘Ok’ or ‘fine’ so that people won’t be put off from telling me their stuff.

My therapist, who’s not a Christian, helped me see the absurdity of this. Is the leader really expected to have no wounds or problems? People know I sin, right? The thing is, I never have a day where I’m OK or fine; I have Ankylosing Spondylitis, which means that every single day for over 20 years I have had pain of a minimum of 3 out of 10 on the pain scale, along with other symptoms. I also live with ADD, chronic depression, anxiety, PTSD, dysgraphia and dyspraxia. I am never OK; essentially in being asked to say I’m OK when I never am is asking a minster to lie about how they’re doing in order to make things easier for the person they’re speaking to. We all know lying is sinful; so this represents a request to your minister to knowingly sin to make it easier on you.

Nonsense. Understandable nonsense, but nonsense all the same. Not being OK doesn’t mean I can’t hear your stuff; in fact (unless it’s a really bad day, which means I wouldn’t be able to get out of bed to see you in anyway), for the Christian my wounds and pain make me more able to understand your wounds; we are, after all, healed by, not in spite of, Christ’s wounds (as well as His perfection; His perfection means that your minister as well as you don’t have to be perfect). It’s what priest and author Henri Nouwen and others have called the ministry of the wounded healer.

 

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All of this is a very long way round to talk about Mark Meynell’s book ‘When Darkness Seems My Closest Friend’. He’s a relatively conservative theologian and minister from England, who for a long time now has lived with depression and PTSD. This book is his story; it’s subtitled ‘Reflections on Life and Ministry with Depression’. The Christian, and especially the evangelical, conversation about mental health has improved a great deal recently, but there is still a way to go. This book will be an important part of that, as much because of what it doesn’t do as well as because of what it does do. It tells the author’s own story, offering Biblical reflections along the way; it offers hints and tips and suggestions – but never solutions. It doesn’t suggest his experience is universal; quite the opposite. The author is wise enough to let his specific story be his and his alone – and to allow us to through that understand our own stories; to see where they connect and diverge from his. It’s not the story of victory; it’s the story of a still-ongoing night long wrestle with a being who may be an angel or may not – but God is there; it’s just that it’s hard to see in the dark cave of mental health pain (to use the author’s own image of the cave). When you’re in the cave you can’t tell if it’s night or day outside; let alone if the one you’re wrestling happens to be God. The author attaches no guilt to that; he simply gives some idea of what has helped him. Some sense of direction of where to look, which way to turn to find the light.

Mark Meynell is also a good theologian, with a teacher’s gift for making complex ideas accessible without ever simplifying them. His use of the Bible is nourishing, well-thought through and personal. His use of one psalm in particular bought me up short, in all the best and most healing ways. I rather think I share with him some taste in music (and films?); I reckon he’d be fascinating company over a beer.

This book will be a friend to many church leaders like me; it will be a challenge to many church members. Over the 8 plus years I’ve been at my current church, my congregation have grown more accustomed to my weaknesses and inadequacies; sometimes that has infuriated some people (including me); sometimes some of us have found it healing. That doesn’t mean I can’t be better or wiser at this, or that I don’t have anything to learn; it’s just that weakness seems to be something God works through, rather than in spite of. (That’s actually in the Bible, it turns out). As the prophet Michael Smith sang: “Wear your scars like medals”.

Will we tell better stories, then? As leaders, will we tell the stories of our struggles and pains? Will be OK with not being OK – and saying that; and through that allowing healing to come? Or will we play to the image of alpha male strength, people-pleasing by never walking with a limp despite the excruciating pain? Of course, if we try to not limp when the pain is too much, eventually we won’t be able to walk any more; and then people really will get hurt. But that doesn’t stop us defaulting to the presentation of health; to presenting the image of being the sort of fine that people think they need in us.

We’re not made to be idols of shiny OK-ness for the sake of the ease of conscience of people in our communities. We’re made to be fellow disciples; perhaps with a sense of where we’re going, trained and gifted and set aside to help point out some things that others may miss. Those things include our own inadequacies; as much for our own good as for the good of those we lead, let’s let go of pretence about ourselves towards God and others. It’s OK for a leader not to be OK, and to say that. Mark Meynell’s book will be a significant companion on that journey for church leaders and members alike.

Glenn Close In The Wife: Thoughts On Being Clergy And Having A Wife

As is so often the case, the real drama is in the silences. In The Wife, Glenn Close plays Joan – a woman who had been a promising potential novelist but whose career became subsumed when she married her teacher Joe. Early in the film we come to the two of them, now relatively aged, awaking to a phone call with the news that Joe has been awarded the Nobel Prize For Literature. As the news is broken to Joe – with Joan listening in on another phone – the camera shifts to Joan. She barely moves – but her face speaks volumes, hinting at layers and depths of varied emotions that imply a kind of darkness that can’t be named, but longs to be. It’s an astonishing piece of silent acting from Glenn Close, which is echoed throughout the film by similar moments. She is attentive to Joe’s every need (both as they travel to the Nobel Ceremony, and in flashback to the early days of their relationship); but something is trying to emerge, but also stay hidden. Christian Slater plays Joe’s would-be biographer, who thinks he can see there’s a secret to come out; and we uncover it with him.

To say more would be to spoil the film; it’s often comic, but really it’s a drama about ambition and frustration, about marriage and the challenges facing the wife of a lauded man. The film’s present day is 1992; it would be tempting to say that things have changed, but I’m sure many of us can understand that in much of life they haven’t.

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At least, it often seems, they haven’t changed in the church – which is where I have worked for all my married life (save the first two years of our marriage, which was spent at seminary). When I was training for ministry (in the late 90’s/early 00’s), women had been welcomed to priestly ministry in the Church Of England for some years – though it’s only relatively recently that the glass ceiling to women becoming Bishops has been broken. Nevertheless, at the seminary I attended (chosen as much for geographical location as any theological conviction of mine), the support group for the spouses of students was very much a wives’ group. I can’t now remember the official name of the group; but there were a grand total of 0 female students training there for ordained ministry; many (though not all) of the staff and students at this conservative college did not agree with the ordination of women, and often said so – loudly and publicly. So it’s little surprise no women trained alongside me. My loss; though I suspect not theirs.

Never mind, though. Other parts of the Anglican church were better. Right? The network I was most committed to at that time contained few, if any, high-profile female church leaders. Platform speaking engagements were largely for male church leaders; women from para-church groups; or were wives of male leaders of (large) churches. These large churches were spoken of as being led by ‘X and Y Surname’ (husband and wife) where the husband was the ordained leader. The wife would often be on the large paid staff team; though sometimes not. She would sometimes be still be spoken of as leading the church with her husband, despite not being paid by the church, not having a formal input in the decision-making and only being involved in church life, like any other member of the church would be. Now it is fair to say that in this network things have got much better in these regards; I’m sure some would say there is still a way to go – but it seems much that is good has happened.

It’s true, however, that the role of clergy wife and clergy husband remain very different. My wife has been invited to chair Women’s Fellowships, sing in the choir (until someone overheard her singing), do the flower arranging. She’s not done most of it; whilst she was unable to work for Visa-reasons when we came to Cape Town, she did volunteer much time to the church; but things have long since changed. The same expectations or offers are rarely made of clergy husbands. Married women who are clergy speak often of a church’s inability to see that she must be ‘a wife, a mother and a clergywoman’; a similar expectation of a married clergyman does not exist.

The problem seems to be that inherited models of church leadership and gender roles within church and family have not kept up with a changing society. There’s also another, subtler pressure. In many churches – especially larger, suburban ones – excellence is a spoken or unspoken value. Professionals who are members of these churches work in businesses where excellence is prized; so churches have to imitate that. That’s expressed in many ways; but not least in the role of women. Either a clergy wife must be fully involved in ministry – paid, or not – to ensure it all happens; or she must sacrifice much of her time and career in order for her husband to meet church expectations. One theory goes that excellence in anything requires around 10,000 hours of committed practice; for that to be a reality someone must take care of the rest of life for the one who aims to excel. That’s almost always a woman, like Glenn Close appears to be in The Wife; doing everything behind the scenes whilst her husband is lauded across the world thanks to his 10,000 hours of labour. It never seems to be mentioned that by definition, as the man achieves his greatness thanks to the 10,000 hours given to his craft, the woman has invested the same amount of time in un-lauded areas. Behind every great man … the expression goes (the tag line of the movie is a clever play on this, especially in light of the film’s ending).

It’s patriarchy writ into the fabric of family and career, of course. The church is slowly learning to let go of it, but whilst it slowly learns the ministry of women in church, business (or wherever) suffers and stagnates as the woman’s call is seen to be to follow and enable the husband’s call. Doesn’t Ephesians say a woman should submit to her husband?

Well, it does – but that was written 2,000 years ago; and it seems to ignore that at the start of that section of Ephesians the invitation to all of us, of whatever gender, is to ‘submit to one another’. So this assumes a husband also submits to his wife in some way; in fact, so submissive is he that he is expected to be willing to do for her what Christ did for the church (to die). More of that passage is about the responsibilities of the husband to sacrifice (and to submit) and of Christ’s love for the church than is ever said of the wife’s responsibility to submit – which in any case is never defined; presumably the better to be re-interpreted within each time and place. But the Bible has usually, over 2,000 years, been written, translated, taught by and written about by men – so it’s no surprise, really, that these attitudes and interpretations continue as the norm in many places.

As a married male church leader I speak to people like me. Are we willing to submit to the calling of our wives? Are we willing to say ‘no’ to posts, opportunities or potential avenues of church life in order for our wives to fulfil their calling – as we have so often expected them to sacrifice to us. I’m not talking here about motherhood and the ‘traditional’ housewife – though not to dismiss and denigrate that if that’s what both feel is best for their marriage. For most of my ordained life, my wife has had paid employment too. She has a calling too (of course she does; every disciple does). We also need a second salary – especially now with children. So my wife follows her calling and gifts in the world; social enterprise, academic research, photography  – and other things; one of those other things is motherhood, but it’s by no means the only one. So, as sometimes she has had to say no to opportunities to enable my ministry, so I must also, equally, say no to some things in order to enable her ministry. If I were looking to move to a large, busy church (which I’m not), maybe I would have to rethink my plans because of my wife’s career and calling. Maybe a church shouldn’t be busy (or maybe even large? that’s to discuss another time, I think)? Too often I, and men like me, can be entitled in our expectation of our wives to sacrifice, to give up, to say no, for our sake. Of course, we say and think to ourselves that it’s ‘for the Gospel’; failing to notice that our wife’s calling is as much ‘for the Gospel’ (whatever that means) as mine – maybe even more so if she’s not spending all day in the church office.

This needs saying to us: male, married church leaders must say no (sometimes to the church, sometimes to ourselves), that our wives may yes to God’s invitation to them. If something we say no to must still be done, then God is big enough to cope with our no; and if the church complains … well experience seems to suggest that if the no is repeated often enough and for long enough, the point is taken.

God can cope without us; God can also cope without our wives. He can cope without all of us; but too often we have just assumed He can cope without our wives, or can only cope with them within very specific parameters. To misquote The West Wing, let’s let God be God; let’s be strong enough to say no, that our wives may say yes.