I’m self-indulgently posting a short series on the entertainment that’s fed, stimulated and enhanced my 2014. This post’s about the music that has most improved the year. They’re in no order, the year in brackets is the year of release. I’ve included links for some of the music.
Everyday Robots by Damon Albarn (2014)
Remember the Britpop wars? Liam and Noel, where are you now? Was there really ever a question about who was going to emerge from the coke and money blizzard of the mid-90s British music scene with creative integrity intact? Damon Albarn’s 2014 solo album is a thing of understated beauty: a series of diverse influences, well-written songs and more than a dash of contemporary social relevance and wit.
The music of Steve Lawson (late ’90s to present day)
2014 has been a very tough year at times – there have been some spectacularly low lows. Engaging with Steve Lawson’s music has done a lot to get me through the year intact. He’s an ambient instrumental bass guitarist. If that sounds pretentious, it isn’t; Steve’s music has a deep honesty and powerful yet hard to define healing quality. I’ve lost count with the number of times I’ve reached for his music in the midst of a very dark day; the day hasn’t got easier as a result, but at least I was able to turn on a light. He’s also a really engaging social media presence.
Only U2 could give something away for free and still annoy people; the new album was a patchy affair. When it was good it was very good; it’s hard, though, to tell the difference between many of the songs. It’s in danger of being very bland. Given this is the band that gave us Achtung Baby, that’s sad. This song was one of the highlights, a slow-burner that reveals it’s theme slowly and powerfully.
The Take Off And Landing Of Everything by Elbow (2014)
Not the best Elbow album, but its charms revealed themselves journeying across Morocco; so this is as much about the context I ‘got’ this music in as much as it is the music itself. Plus they use the word ‘shindig’ in a rock song. Which is awesome.
I’ve just noticed that compared to last year’s equivalent, this is short. Oh well – in my defense, there is the entire work to date of one artist in there. Plus time and money mean my purchase of music is limited these days. Of course, it’s not like last year’s entries aren’t still nourishing me…
Also in this series …